It was always one of the author’s less early endeavors, but it’s largely burst into public consciousness through Mark L. It’s up for debate whether these remix projects were more original than the remakes that preceded them, but it’s in that context that we see it now fire starter, a new Blumhouse-produced version of Stephen King’s 1980 novel about a young girl with the ability to set things on fire with her mind. It was a desolate era of substandard renovations, bringing a gleaming modern glow to works that had never required such treatment, with the rare exception (particularly Rob Zombie’s two Halloween movies), they were discarded cashgraps that exploited familiar and easily marketable traits for a new generation of gene republicans eager to enjoy something sinister and sick with their friends on a Friday night.Īs that trend died, another emerged, led by stranger things and like-minded projects that mined popular treasures of the 1970s and ’80s for nostalgic tributes. In the 2000s, horror fans were besieged by remakes they neither wanted nor liked, including (but not limited to) the 2003s The Texas Chainsaw Massacre, 2005 The fog and The Amityville Horror2006 Black Christmas, The hills have eyes, The Wicker Man, The Omen and When a stranger calls2008 prom2009 Friday the 13th th and The stepfatherand 2010s A nightmare on Elm Street.
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